Edward Lloyd’s assignments which explore the use of language as a mode of choreography; and a search for embodied ways of writing. Work Travail Arbeid is written as a response to the piece by Anne Teresa de Keersmaeker| Rosas, and the other is a reflection from an evening at a jazz bar.
Double Skin / Double Mind #4: the aging body
An article about adapting the Double Skin/Double Mind method to aging bodies.
The Memory Of the Dance
How beautiful it would be if choreographies could be danced again even after a hundred years. ICK is, therefore, working on a way to ‘archive’ contemporary dance. Not just in order to pass it on to future generations, but also to build bridges with the world outside dance.
Double Skin/Double Mind #3: Dansen denken (Penser danser)
Notities over het werk van Emio Greco | Pieter C. Scholten (EG | PC)
Double Skin/Double Mind #2: The experience of a dancer
In this article, dancer Alejandro Longines explains what Double Skin/Double Mind means to him and how he experiences the method in his daily practice.
The importance of air
In this article, Marieke Buytenhuijs writes about her experience as a dramaturgy apprentice with Emio Greco and Pieter C. Scholten.
Double Skin/Double Mind#1: Ways of Documenting and Reflecting
After several weeks of both leading and taking part in the Double Skin | Double Mind open classes, I have found that reflecting on the experience is highly valuable in terms of developing...
The breathing archive score
An article about the breathing archive score by Anouk Llaurens.