with Gracie Moore and Toni Brown (students of Kennesaw State University) and Marsha Barsky (chair and professor of dance at Kennesaw State University) The episode The Joker & The Intuitive...
ART & CARE: an interview with Jija Sohn, on practicing care
In September 2022, Japanese/Korean artist Jija Sohn took residency in the Wolfie studio at ICK Dans Amsterdam. In this interview, by Astrid Klein Haneveld, Jija Sohn shares her work and artistic practice revolving around care. In this article, she reflects on her ways of working and projects.
Re-living Bodies: The problems of archiving Dance and possible future solutions
Written by Moreno Perna Dance [1] is a volatile art form: as quickly as it appears on stage, as quickly it disappears without physical traces, and the only thing remaining is the memory in the minds...
Double Skin/Double Mind #5: the teacher as a student
We learn nothing from those who say: 'Do as I do'. Our only teachers are those who tell us to 'do with me'. – Gilles Deleuze © Mo Alzoabi At the very beginning of their collaboration, Emio...
Embodied ways of writing
Edward Lloyd’s assignments which explore the use of language as a mode of choreography; and a search for embodied ways of writing. Work Travail Arbeid is written as a response to the piece by Anne Teresa de Keersmaeker| Rosas, and the other is a reflection from an evening at a jazz bar.
Double Skin / Double Mind #4: the aging body
An article about adapting the Double Skin/Double Mind method to aging bodies.
The Memory Of the Dance
How beautiful it would be if choreographies could be danced again even after a hundred years. ICK is, therefore, working on a way to ‘archive’ contemporary dance. Not just in order to pass it on to future generations, but also to build bridges with the world outside dance.
Double Skin/Double Mind #3: Dansen denken (Penser danser)
Notities over het werk van Emio Greco | Pieter C. Scholten (EG | PC)
Double Skin/Double Mind #2: The experience of a dancer
In this article, dancer Alejandro Longines explains what Double Skin/Double Mind means to him and how he experiences the method in his daily practice.
The importance of air
In this article, Marieke Buytenhuijs writes about her experience as a dramaturgy apprentice with Emio Greco and Pieter C. Scholten.
Double Skin/Double Mind#1: Ways of Documenting and Reflecting
After several weeks of both leading and taking part in the Double Skin | Double Mind open classes, I have found that reflecting on the experience is highly valuable in terms of developing...
The breathing archive score
An article about the breathing archive score by Anouk Llaurens.